狂野的心

帕克（阿卡潘·纳玛查OmAkapanNamatra饰）的母亲在生下了帕克之后抛弃了他的生父，转而选择了政治家的儿子同他结婚。从小到大，帕克都在养父的淫威之下过着忍气吞声的日子，只有和他有着相似遭遇的妹妹奥尔（乌萨玛妮维泰雅浓UsamaneeVaithayanon饰）懂得哥哥内心里的苦闷。15岁那一年，对现状再也无法忍受的帕克决定和奥尔一起私奔，然而，到了约定的那一天，奥尔却并没有赴约，只有帕克一人离开了故乡。一晃眼又是15年过去，早已经改头换面的帕克再度回到了伤心地，他发誓要报复所有曾经给他带来过伤害的人们，其中也包括了奥尔。

聪明笨伯

顾全生性愚笨而懒惰，被父亲屡教不改，遂被逐出家门。他到了外面，在各处打工，但因为本性难该，也频频被逐。不想，一日，掉入井中，将傻气一扫而光。从此，时来运转，不仅从车轮下救了富家女章柳娴，而且从火中救了她的父亲章耀南。章父为报救命之恩，将女儿嫁给了顾全。

赌神来了

民国初年上海滩军阀混战，赌界枭雄一手遮天。小老千高达拜落魄的赌界圣手为师，在警长的帮助下进行了一段奇葩的训练，练就一身本领。为救心爱女人与枭雄展开殊死斗争，各势力战争一触即发，上海滩再度陷入混乱，上演了一出生死与爱情的挽歌 ……

勒沃库森VS菲尔特

大追捕(粤语版)

二十年前因奸杀少女依芸入狱，重犯王远阳（张家辉 饰）在狱中历经凌辱，变成性格怪异、人见人惧的哑巴杀手。刚刚出狱的他，又卷入了一场惨绝人寰的命案之中：中英混血指挥家徐翰林被发现抛尸海边荒野，容貌尽毁遍体鳞伤，而徐翰林正是少女依芸的父亲。外号怒汉的警探林正忠（任达华 饰）一心查出真相，出狱后一直跟踪徐翰林幼女徐雪（文咏珊 饰）的王远阳，自然成为最大的嫌疑人，一场全港大追捕全面展开，然而，真相才刚刚开始被揭开……

鸡排英雄

汇集台湾各路美食小吃的八八八夜市，每日都洋溢着温情向上的气氛，阿珠牛排、满妹鸡排、国平（赵正平 饰）以及服务台的美香等人照例为南来北往的游客提供美味小吃。长于夜市的阿华（蓝正龙 饰）新近当选为夜市自治会长，自此与小兄弟阿七调解夜市纠纷，维护摊贩利益。女记者林亦南（柯佳嬿 饰）在夜市附近与小七发生冲突，阿华一见林亦南，心中的情愫不自觉间已被唤醒，但林亦南的生活却自此陷入了一连串混乱，领导痛批、男友分手，又因毁坏电路被惩在八八八进行社区服务，阿华与众摊贩充满人情味的举动渐渐化解了林亦南身在异乡的孤独，双方的关系不再紧张。不久议员张进亮（猪哥亮 饰）联合地产商欲强征八八八土地，阿华带领摊贩保卫夜市，而张进亮，就是多年前抛下阿华的人……

死亡凝视

AmanwithpartialblindnessandayoungpregnantpoliceofficermustworktogethertoescapefromadeadlyvirusthathasspreadacrossGreyCounty.

人人都在谈论杰米

根据真人经历改编，讲述16岁的杰米想成为一位变装皇后，却因此备受霸凌和歧视，在母亲和好友的支持下，他终于勇敢地去实现梦想。

固伦公主府

公元1697年（康熙36年），康熙皇帝的六公主下嫁漠北蒙古的土谢图汗部的敦多布多尔济，从而展开清政府与漠北蒙古的第一次政治联姻。然而由于漠北蒙古不断受到漠西蒙古的骚扰，为了公主的安全，康熙决定把公主府邸修建了漠南蒙古的归化城。理应远嫁漠北的公主，却把府邸建在了漠南，夫妻聚少离多，相隔千里，六公主又是如何完成自己的政治使命的呢？ 由于六公主的努力，漠北蒙古潜心归附，并且在乾隆年间，与清政府一起征服了漠西蒙古，从而构成了清朝大一统的版图。正是300年的满蒙联姻，保持了边疆的稳定，促进了民族的交融。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

最后一个猫王

卡洛斯?古铁雷斯是个离异的中年歌手，他有个叫丽莎?玛丽的小女儿，但他几乎从不去看她。尽管他的正式职业是冰箱厂的工人，但卡洛斯始终相信自己是猫王埃尔维斯?普莱斯利转世。眼看卡洛斯即将迈入猫王逝世的年龄，他的前途仍是一片迷茫。卡洛斯的妻子突遇事故，迫使他必须担起照顾女儿的重任。他开始重新认识到作为父亲的责任，女儿也逐渐接受了他。然而命运又把一个艰难的抉择摆在了他面前。随着音乐慢慢奏向高潮，他必须在成为猫王之梦和家庭现实中做出选择……

21-22赛季法甲第27轮 圣埃蒂安VS梅斯

21-22赛季法甲第27轮 圣埃蒂安VS梅斯