龙虾

故事背景设定在一个虚构的近未来社会，居民的婚恋受到严格控制管理。根据规定，单身者要被集中移送到一个酒店里，他们必须要在45天之内找到一个匹配的伴侣，失败者会被转化为一种自选的动物，并被流放到森林中。为了延长45天的期限，酒店里的单身者们还会到森林里狩猎其他逃亡的单身者。 　　本片的主人公大卫（柯林·法瑞尔 Colin Farrell 饰）与一批单身者一同被送到酒店，他忍受着这里的各种严苛规定，同时也积极在酒店提供的各式各样的相亲场合中寻找伴侣。眼看期限将至，大卫还没有找到合适的伴侣。尝试和一个女人配对失败后，他逃到了酒店外面的森林，逃亡的单身者居住的地方。然而，在这个单身者反抗酒店制度的栖息地里，又有着另一套截然不同的制度……

廉政行动2022粤语

　　十年前，沉傲鸣与唐伟聪同期加入廉署，一起受训，情同手足，出生入死。是当时总调查主任冰姐的得力助手。沉傲鸣聪明机智，办事效率极高；唐伟聪守纪尽责、心思谨密，二人是最佳拍档。                                                                            　　一日，二人跟踪一名疑犯时，意外遇上正被警方通辑的毒犯。唐伟聪上报冰姐，冰姐叮嘱等待支援才可行动，但沉傲鸣刚愎自用，认为凭二人之力可破案立功。故不听兄弟劝告，在支援到达前私自冲入现场行动，可是寡不敌众，打斗期间被打伤左腿。事后，沉傲鸣恼怒兄弟袖手旁观，赫然辞职，从此杳无音讯，唐伟聪自此带着强烈的内疚感过日子。                                                                            　　十年来唐伟聪凭着坚毅不屈、踏实刻苦的工作态度，多年来破获不少贪污案件，后来晋升为总调查主任。                                                                            　　手下小组有一名在IT组调来的同事——李进儿。她为人机智灵敏，处变不惊，查案时往往以小聪明，用自己的方法取得线索，有着当年沉傲鸣的影子，令唐伟聪不其然担心昔日悲剧会重演。在冰姐丈夫的丧礼...

横行霸盗粤语

陈魁、杨坤、Rick和小雄组成一个专门从事械劫的犯罪团伙，其中小雄驾驶技术高超，他专门负责驾车接送；离职警察Rick因为身具专业知识，负责行动的策划；杨坤是退伍军人，性格火爆，专长是枪械和爆破；而陈魁表面其貌不扬，其实是个老江湖，在各地都有门路，在组织中有着微妙的制衡力量。四人的组合完美无瑕，每次行动均经过精密计算且动作迅速，不仅在香港做下无数大案，更将抢劫范围扩展至东南亚，警方对其一筹莫展，派出的卧底警员也屡屡遇害。坚硬的城堡总是在内部被攻破。一次在泰国的行动失手，还得罪了泰国黑道的老大金爷。四人开始貌合神离，陈魁处处自作主张、一意孤行的作法，引起了杨坤和Rick的不满，在与金爷火拼的过程中，杨坤将枪口转向了陈魁……

冰雨火

三年前，吴刚因涉毒被贩毒集团K所杀，其子吴振峰（陈晓饰）因莽撞违纪被开除警籍。吴振峰心如死灰，被兄弟陈宇（王一博饰）阻拦出境，途中二人险遭劫持，吴振峰为救陈宇被毒贩掳走，从此再无音讯，这一刻二人的命运被彻底改写。三年后，陈宇成为禁毒民警，不料吴振峰再度归来却与命案牵连。吴振峰洗刷嫌疑后，却被陈宇发觉他与贩毒集团有着千丝万缕的联系。为彻底歼灭贩毒集团，陈宇服从上级部门的安排，脱下警服开启禁毒生涯的新历程。与此同时他才得知吴振峰竟是潜伏在贩毒集团的孤胆英雄。陈宇与吴振峰先后打入贩毒集团内部，两人默契配合，并肩作战，最终在公安部署下将贩毒集团一网打尽。兄弟二人继续投身于公安禁毒事业中，不忘初心，牢记使命。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

58同城杯足球小将国际邀请赛 20231123（第四比赛日）

小英格兰

故事发生于20世纪30年代的希腊，天真美丽的欧莎（佩内洛普·忒西莉卡 Pinelopi Tsilika 饰）爱上了英俊帅气的海军中尉斯皮罗斯（Andreas Constantinou 饰）。可是，斯皮罗斯有任务在身，即将远航，于是，两人许下了爱的约定，欧莎决定在小岛上静静等候爱人的归来。　　然而，欧莎的母亲擅自决定将自己的女儿嫁给了一个名为尼克斯（Maximos Moumouris 饰）的船长，只因为后者有着雄厚的经济条件。虽然感到万分的不情愿，但母命难违，欧莎只得就范，可是内心里，她从没有忘记过对于斯皮罗斯的感情。一天，欧莎收到了一个令她崩溃的消息，自己的妹妹订婚了，而未婚夫不是别人，正是斯皮罗斯。

我和春天有个约会

二十世纪七十年代的香港，娱乐业蓬勃发展，歌舞升平之地颇多，而丽花皇宫夜总会就是其中的代表之一。迫于生计，爱好唱歌的姚小蝶（邓萃雯 饰）来到了丽花皇宫。在这里，小蝶结识了性格各异的众人，有令人怜爱的蓝凤萍（万绮雯 饰）、性格傲慢的红莲茜（商天娥 饰）、有热情的金露露（蔡晓仪 饰）。小蝶在这里因机遇得到赏识，成为了丽花的当家花旦；而在感情生活上，她遇到了让她一生难忘的沈家豪（江华 饰）。而二人也因误会相识，又因彼此吸引而相恋。凤萍、露露和莲茜也各自经历着悲欢离合的人生。越战爆发，家豪前去寻找凤萍，一去未返，就这样让小蝶等了二十年。 二十年后，丽花皇宫昔日的辉煌不再即将被拆除，再次登台的小蝶为其做最后的慈善演出，一切布置如同往昔，而早已物是人非。这时，家豪却回来了。阔别二十年之久，已到中年的二人能否破镜重圆？

逆光源

该剧讲述了外貌俊朗、成绩优秀的大学生方源，在温和、仗义的外表下却隐藏着不为人知的一面;方源的室友染光是个长相清秀，沉默寡言的学霸，但时时刻刻仿佛都有心事，在大学生活中方源常常为染光解围，但是每一次两人关系的递进仿佛预示着什么，究竟一个沉默寡言的学霸有着什么样的事牵绊着，不能开心面对丰富多彩的校园生活？方源又会有什么样的情感归属?染光如何面对真实的自己?他们各自的同学又会上演什么不一样的大学生心态呢在纷繁的大学生活中，各自面对着爱情、友情、现实等问题，发生了一系列爱情、矛盾和各种浪漫而颇具神秘色彩的校园故事

失乐园2020

Spectrum Originals和派拉蒙电视网已确定10集悬疑新剧《失乐园》(Paradise Lost，暂译。原名《地狱天堂》)的主要演员阵容为乔什·哈奈特、布里吉特·瑞根等。这部悬疑剧由Rodes Fishburne(《黑金血泪》)创作并编剧，讲述一位精神病学家(瑞根饰)和她的家人从加州搬到她丈夫(哈奈特饰)在密西西比州的家乡，却发现了一些可耻的秘密，这些秘密不可逆转地改变了每个人的生活。

S的秘密

香港实力派男星吴启华饰演男一号方浪，身为内衣设计师的方浪和御姐港星麦家琪饰演的女主于莎莎是一对互相看不对眼的欢喜冤家。在经历了一次奇妙意外后，两人的生活工作发生了翻天覆地的变化，逐渐认识到了爱情和婚姻的真谛。

大汉风之孺子可教

战国时期，刚刚建立起来的儒家礼仪在秦始皇统一六国后遭到残酷的打击。为了维护和巩固自己的政权，秦始皇灭绝人道地推行“焚书坑儒”政策，致使成千上万的饱学之士惨遭屠杀。韩国灭亡后，韩国贵族后裔张良的父亲就惨死在秦始皇的暴政之下。眼看着父亲被秦军活活掩埋，张良的心里对秦朝暴政充满了仇恨，并发誓要广结反秦志仕，彻底推翻暴秦政权，救民众于生灵涂炭之中。