Doctor-X第5季

据悉，10月开始朝日电视台将播出第五季（周四晚9时）。

炽爱游戏国语

　　努克（娜塔玻·提米露克 Nataporn Taemeeruk 饰）从小生活在父母的溺爱之中，在英国深造归来的她震惊的发现，她的父亲和母亲竟然离婚了，不仅如此，父亲还即将和他的情人结婚，就这样，努克多了一个没有血缘关系的哥哥奈（吉拉宇·唐思苏克 Jirayu Tangsrisuk 饰）。努克和继母以及奈之间的关系非常的差，在努克的眼里，他们就是夺走她一切的元凶。                                                                    　　可实际上，奈一直深深的暗恋着努克，然而，他自知自己和努克之间的地位相去甚远，于是选择将感情深深的埋藏在心底。虽然奈表面上对待努克非常了冷漠，但实际上，他一直以自己独特的方式在帮助和支持着她。

空白点

医院看护萨缪尔Samuel（吉尔·勒卢什 Gilles Lellouche 饰）和妻子娜迪亚Nadia（埃琳纳·安娜亚 Elena Anaya 饰）是一对非常恩爱的夫妻，两人正期待着娜迪亚肚子里的宝宝来到人世上，这样平凡幸福这生活就因为萨谬尔意外撞见一宗谋杀事件而起了变化…… 　　某日，一群人闯进他们的家中，将萨谬尔击昏，又绑架了娜迪亚，萨谬尔醒来后随即接到绑匪的电话，他被命令要协助劫犯行动，为了营救娜迪亚和他们的孩子，他必须满足绑匪的要求。萨缪尔Samuel原本平静的生活被卷入狂流，好市民由白变黑，随之换来警方追捕、黑道追杀，一切身不由己。然而，究竟谁是幕后黑手，环环追杀背后到底隐藏着怎样的惊天秘密和阴谋？萨谬尔又能否顺利救出自己的妻儿呢？

大漠江湖

心怀江湖梦的小铁匠吕三思偶遇自己崇拜的大侠百里无忧，替大侠押送西厂女鹰犬何青缨，可何青缨却说出另一个版本，她其实是受西厂迫害的义士，那百里无忧才是出卖义士的走狗！疑点越来越多，孰是孰非需要吕三思做出判断。女鹰犬可能不是鹰犬，而大侠可能也不是大侠，忠奸难辨，从未涉足江湖的吕三思发现，这个江湖与自己想象的全然不同。

疯爱

比阿特丽斯是一个胡话连篇的人，自称是一个与世界各国的大咖有密切往来并有亿万财产的伯爵夫人。唐纳特拉是一个安静的纹有纹身的女人，禁锢在自己的神秘里无法自拔。她们都是精神病人，在精神病院里遭受软禁。                                                                    保罗维尔奇这部新片讲述了她们之间出乎意料的友谊，和在逃离精神病院的冒险过程中这两个疯子不断在这个露天的所谓正常人的世界里寻求乐趣和爱的故事

爸爸的七月

出品单位:电影频道节目中心单亲爸爸吴大宇遇到了麻烦事——自己9岁的儿子吴小宇因为病必须换肾，正走投无路的时候被女记者陈越得知，一篇新闻报道引来了全社会无数好心人的关怀和捐助。然而同时，医院也决定将吴小宇作为慈善救助的对象免费治疗。——可这样一来，好心人们捐助的三十万医药费就富余了下来……

御天神帝1雄霸白鹿

古代雪国将军之子叶青羽一夜之间满门横遭不幸，沦为乞丐。为了重返朝堂查明真相，他报考武道学院，欲逆袭复仇。其间，经历了爱情和暗算，一个个陌生人不顾生死助他完成大业，他的身世成为谜团。　　叶青羽因不想连累爱他的宋小君，却错爱了白玉卿。郡主白玉卿是妖族最大的卧底。妖族以各种手段加害叶青羽，他却在逆境中不断加成功力。白玉卿真的爱上了他，而他却中了妖族圈套，宋小君用性命赐他魔血，他终成戮神。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

宠婚来袭第一季

世上最奇葩的事情，她莫名其妙被结婚，被领证，被动成为楚太太，被结婚的她真的很懵x，更懵的是他竟也是不愿意的！他逼着她主动退出，话说的太重，还会摸头安慰，蜜糖甜蜜出幻象，一场豪门夺爱的婚姻，她无力反抗，沦陷进爱情，当剥开蜜糖的外壳，露出内在的真相，她决然放手，她爱得太累决定退出时被一句“对他负责”拽了回来……到底想怎样？

魔晶猎人第四季

拥有着7000年历史的萨格大陆继续风起云涌。立志要做最伟大魔晶猎人的小裁缝千瑞，在魔晶学院不断卷入阴谋的漩涡。一步步接近真相的代价竟然是要牺牲自己无比信任的朋友和恩师！徘徊在绝望中的千瑞和他的伙伴们到底该何去何从。

农夫偷香记

年青的查泰来女士从美国来到英国，在一家服装店作业.某日，接到已多年不来往的查泰莱宗族的律师电话，签定承继她的亲属已故七年的查泰莱夫人的遗产.当她来到查泰莱庄园时发现她承继的遗产现已资不抵债。她开端行动了 middot; middot; middot; middot; middot; middot; nbsp;

K星异客 K-PAX[电影解说]

一位自称普洛特的戴墨镜男人（凯文•斯帕西 Keven Spacey 饰）突然出现在纽约中央公园车站。他自称来自天琴座附近距地球一千光年的K-PAX星，以超光速来到地球考察。普洛特被当作精神病人入住曼哈顿精神病院，受到马克•鲍威尔医生（杰夫•布里奇斯 Jeff Bridges 饰）的治疗。马克认为普洛特是妄想症患者，却又对普洛特的奇怪行为和不可思议的天文知识将信将疑。同时，普洛特的到来在病院中其他病人中造成轰动，人人都希望能被选中随普洛特回K-PAX星。马克医生竭尽全力希望找出普洛特的真实身份，却没想到自己竟在此过程中越来越被普洛特的理论所说服。普洛特的真实身份究竟为何？ 本片被提名美国科幻、幻想和恐怖电影协会最佳男主角（凯文•斯帕西）。